The result is the Turkish-based duo’s latest work,
the Chicago Issue EP. Following on
the heels on the duo’s prior work which saw them channeling elements of Turkish
folk together with jazz, rock, and electronica, the Chicago Issue EP finds the tandem taking a new approach.
“For this album, I wanted to change the way we
collaborate, change all the methods we use to compose, and come up with new
production techniques,” says composer/guitarist/producer Demirkan. “It’s been
really liberating.”
That liberation, in large part, involves Painted on
Water tapping into the roots of their new home in Chicago and plugging in their
guitars for some big, rocking sounds.
“When I Need You Most” gets things rolling with
Demirkan showcasing some Peter Frampton like guitar effects alongside some
solid synth fills and kicking beats. Erener’s vocals are solid if the lyric is
a bit less than inspiring. Still, it’s a strong start, bringing plenty of
textures to bear on the opening track.
Painted On Water draws from their Chicago
surroundings on “A New Me,” showing off some hints of funk and R&B with
jangling guitars and soulful background vocals. It’s a chunky arrangement,
letting the track build smoothly through the verse and bump during the chorus
and is somewhat reminiscent of work by No Doubt and Gwen Stefani with its
pop-flavored elements.
Yet, it’s on “Hating You Loving You” that the band
truly hits their finest of strides. Erener’s vocals are at their strongest,
rich and resonant as she sings over Demirkan’s perfectly rocking guitar work,
ebbing and flowing at exactly the right moments and drawing plenty of emotion
into the equation. The lyric is equally strong as Erener pleads, “You’re my addiction I can’t do
without/Hungry for you I keep/Hating you loving you/A blind ambition I can’t
see without/Leaving you, missing you/I keep hating you, loving you.” It’s
clearly the highlight of the EP.
“Why Do You Love Me” draws from more of those
pop-rock elements, finding a solid balance between the two, enhanced by some solid
keyboards that complement the restless guitars and emotive vocals as much of
the lyric draws from none other than the Bard himself, William Shakespeare. An
insistent keyboard tone opens up closing track, “Despite Ourselves,” pressing
Erener’s vocals along as the track builds, joined by synth and eclectic percussion
before emerging into a full-fledged jam as Demirkan plugs in and rocks out. It’s
the perfect high-tempo conclusion to the Chicago
Issue EP.
And on that EP, Painted On Water do a great job of
landing on U.S. soil with their artistic guns blazing, conjuring up a sonic
soundscape that brings rock, pop, and soul all together in a signature package.
While hints of artists like No Doubt, Dave Gahan, and Evanescence are there, this
sound is distinctly Painted on Water’s and it will no doubt leave listeners
ready for more.
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